How we filmed an advisor's day in first person

Most videos about a new app are a phone on a clean background with a voiceover walking through the features. Sunlife's brief asked for the advisor's side of the story, and our pitch took that further: put the camera where the advisor's eyes are and follow them through a normal day, tools in hand. Sunlife signed on, and we wrote the scripts with their team, then storyboarded every scene from the advisor's eyeline before anyone picked up a camera.

The shoot ran two and a half days, with both films shot back to back to keep costs down for Sunlife. The advisor's day starts at 7:30 a.m. on a rowing machine and moves through a yoga studio and a home office, kids and all. The helmet rig was heavy enough that a grip walked alongside it to help hold the weight, take after take.

The edit is where it got precise. Every viewer's name was motion-tracked into the scene with an After Effects template we built for Vidyard, so it moves with the shot like it was there on the day. Sunlife's tech team rewrote the phone notifications to match what their systems could send, and the French versions got their own touches, like a cheque that reads ANNULÉ instead of VOID. Even the call-to-action button changed colour so everyone could read it.

Then the deadline moved. Sunlife's AGM came up sooner than planned, and we turned the advisor film around in time for its premiere there. The client film took the slower road: a pilot with a group of advisors first, then the full Go Digital email once the response came back strong.

Crew member wearing a POV helmet camera rig with a wide cine lens and follow focus, facing the camera.
Business casual from the neck down, a full camera department from the neck up.

Behind the scenes

Every first-person shot had a few third-person helpers just out of frame.

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